| samantha mexican mulder. ( @ 2009-07-01 12:26:00 |
| Current mood: | energetic |
| Current music: | Turn Around - Collective Soul |
| Entry tags: | analysis-kinda, character: scully, picspam, ship: mulder/scully, show: the x-files |
♥HBIC Addendum: Special Agent Dana Scully.
Here's the next addendum, where I write an em effing huge appreciation essay about SCULLLLAAAAAAAAAYYY.
Cap credit goes to the xfilesarchive, transcripts from insidethex.
so, this must be the enigmatic agent scully.
♥dana scully: her journey over 9 seasons, 200 episodes, and 2 films
.....
She was a marshall of cold facts, quick to organize,
connect, shuffle, reorder and synthesize their relative hard
values into discreet categories. Imprecision would only
invite sexist criticism that she was soft, malleable, not up to
her male counterparts.
There is much to love about The X-Files. The interesting cases, the conspiracies, the freaky visuals. But mostly, the center of the story is about a pair of individuals who stand out for their heart and utter devotion to their work, delving deep into the unending search for the seemingly unattainable truth that is out there. Mulder and Scully are two foil characters who search for their own meaning in life, dealing fortuitously with the struggle against tyranny and the existence of something greater than themselves. For all that I love The X-Files, it was never the myth-arc storylines that had me coming back for more. It was always the conflicts of the characters, particularly one Special Agent Dana Scully.
In the nine year run of the show– two of which were particularly Duchovny-less— I braved increasingly complicated storylines because the journey of Dana Scully had me in raptures. Her character, such a solid mixture of stoicism and emotional yearning, was always captivating in ways that no other female TV character had ever been before. Sure, pre-1993 our TV screens had seen a fair amount of strong females who proved to be antitheses to the narrow housewives of television in the 50s and 60s, but none of them were quite like Dana Scully, the work-obsessed, slightly-repressed, and unsentimental woman who came to prove that women can run very fast in high-heels.
There is an irony in the story-arcs of the two main characters. We have Mulder who is the supposed core of the story. On his quest for the truth, we learn more and more about this truly wounded man: witnessing his sister being abducted when he was twelve years old, learning that his father was once apart of the conspiracy that did this to his sister, the ever long torment of nobody believing in his quest. Mulder is the heart of the series, the one we are almost meant to feel sorry for. He’s the misunderstood one, the oppressed individual with the tragic history of loss, devoting his life to a cause that disables the other aspects of his life.
Scully: Well, sir, I was recruited out of medical school. My parents still think it was an act of rebellion, but I saw the FBI as a place where I could distinguish myself.
-The X-Files; Episode 1.79: Pilot.
Then there was Scully. Short, tiny Scully who barely reached Mulder’s chin without heels. She of the red hair, the woman who forsook a promising career in medicine to fight the baddies instead.
There’s something peculiar about Scully. She always looks a little too put together. Mulder could show his angst on the outside, with his askew hair, mournful eyes, and the mere fact that he never slept in a real bed until the sixth season. Scully, on the other hand, was always neat. Her perfectly tailored suits, the impeccably coiffed bob that even when she was in the most dire of situations, always seemed to maintain its perfection. Hell even her pajamas were always perfectly matching top and bottom sets. But for some reason, you always loved her for it. She was strict and repressed, defining herself as a career woman in the boys’ club called the FBI. She was all edges, with this small streak of humor that peaked out in intervals.
-The X-Files; Episode 1.79 ; Pilot.
-The X-Files; Episode 1.12: Beyond the Sea.
-The X-Files; Episode 5.04: Detour.
Scully: Mostly, it just makes me afraid.
Priest: Afraid?
Scully: Afraid that God is speaking... but that no one's listening.
-The X-Files; Episode 3.11: Revelations.
-The X-Files; Episode 4.13: Never Again.
This is why throughout the journey of Mulder and Scully, it was always frightening to see Scully become slightly unhinged. For me, seeing Scully suffer the results of a debilitating paranoia that causes her to systematically destroy her motel room in Wetwired is more unnerving than the Flukeman. Her subsequent breakdown is almost captivating, a woman so calm and rational suddenly in so little control of her own actions. It’s frightening to think that even the most rational of human beings can become undone. Scully was always the proof of this. In a way, Scully always existed in the slight extremities of her personality. She remained reasoned and rational throughout, but we saw glimpses into the person that yearned for something more. Never Again is still one of my favorite episodes because Scully getting a tattoo just blows my mind. It almost seems OOC in a way, but when you truly look at her character journey and what she has sacrificed along the way, it makes perfect sense. She craves authority in her life, lives on it because it provides her protection and a pointed path to follow, but at the same time, she finds that it kills the passion in her life. I think that this is what she partially envies in Mulder. Sometimes, she feels like her life isn't really her own. As an independent woman, she needs this, but her adherence to rules and regulation often inhibit her ability to let go and be free. It is this conflict, the battle between passion and authority, that causes her to follow Mulder, to adopt his cause as her own.
Mulder: What's that supposed to mean?
Scully: It just means proving to the world the existence of alien life is not my last dying wish.
-The X-Files; Episode 4.24: Gethsemane.
Mulder: And look what it's gotten you.
Scully: And what has it gotten you? Not your sister. Nothing that you've set out for. But you won't give up, even now.
-The X-Files; Episode 9.20: The Truth II.
We see everything that happens to her, including but not limited to: her abduction, the death of her sister, her cancer, the revelation that she cannot have children, the death of the daughter she had only just discovered existed. At the end of The X-Files, she says that she would do it all over again, and we know then and there, that she is the selfless woman, the woman who simultaneously needed and detested this search for the truth, the woman who realized that her God certainly took her on the path that she was meant for, kicking and screaming.
The X-Files at it’s best was always a show about the distance between knowing and believing, what this means for humanity, which one is more important. This is the core of Scully, her struggle with beliefs and knowledge, her moral dilemma with authority and with herself. Her brokenness is what makes her compelling, and it is her triumphs that make us cheer for her. But mostly, it is her strength of character that helps us love her. The truly enigmatic Agent Scully.
And now, let us recognize the actress who brought her to life, the one who in actuality is almost the opposite of Scully: Gillian Anderson.
I love this whole frakking photoshoot. 
So here's to you Agent Scully, because beneath it all, you're just the most adorable thing ever. I think this is one of the four times she laughs in the series.
I'll leave you with a picture of my duo being fierce:
Okay, I send you forth to comment.
energetic